Suffering In Shakespeares Plays Essay -- essays research papers

Suffering In Shakespeare's Plays How does suffering affect one's actions? Do different types of suffering affect one in different ways? This paper seeks to determine how William Shakespeare's character's respond to various types of suffering. Suffering can be defined in two ways; physical suffering, in which the character is inflicted with physical pain and trauma, and emotional suffering, where the character suffers an emotional trauma or loss. In The Tempest, the physically traumatized characters, are Trinculo and Stephano. They are chased by dogs but their physical trauma has not induced any sign of remorse or guilt. Ferdinand, on the other hand, is overcome by emotional suffering at the "loss" of his son. In King Lear, Lear is plagued emotionally. He feels that he has lost the love of his favorite daughter Cordelia, and he feels the harsh hatred of his two evil daughters. At the conclusion of the play, his sanity is restored but he has suffered tremendously in an emotional manner at the hands of Regan and Goneril. In Othello, Brabantio goes through emotional suffering when he must succumb to his daughter's wishes. Desdemona also goes through emotional suffering when she is accused by Othello of cheating on him when he is convinced of this by Iago. In The Tempest, the theme of purification through suffering can clearly be seen. Prospero, in his long exile from Milan, has more than attoned for whatever mistake he might have made while he ruled. Ferdinand must suffer through Prospero's hardships and laborious tests before he can win Miranda's hand. Most significantly, Alonso must undergo the suffering that Prospero has designed for him before he is forgiven. Prospero, who is the real Duke of Milan was overthrown 12 years earlier by his younger brother Antonio. Prospero was driven out of the island along with his daughter Miranda; the two were cast out to sea. His suffering has occured in a physical and a non-physical way, he is deeply hurt from losing his kingdom and from being cast out to die. Despite this, he is generous in forgiving. He is not only in control of those around him but he punishes the guilty and demands repentance. When Ferdinand meets Miranda, they instantly fall in love with each other. "I might call him...a thing divine; for nothing natural...I ever saw so noble." ( Tempest, I, ii, 417-419). He is perfect for h... ...ello and Iago agree that Desdemona should be put to death. Out of rage, Othello smothers Desdemona in bed and kills her. "She must die, else she'll betray more men." (Othello, V, ii, 6). In conclusion, there is evidence that Shakespeare designed his characters to be affected by different types of suffering in different ways. The characters who underwent emotional suffering, usually ended up purified or at least in a better state of mind. On the other hand, those who only underwent physical suffering did not change from their past behaviors and did not repent. Evidence of this can be seen in the following ways: Ferdinand in The Tempest, is struck by emotional pain. Because of this, he is purified through his trial and he repents. In Othello, the main character is caught in an emotional battle- who is he to believe- his loyal servant or his new bride? Unfortunately, Othello does not realize the truth until it is too late and has already killed Desdemona. In King Lear, Lear becomes temporarily insane from the pain and turmoil he endures from his daughters. He does not come to terms about his mistake until, like Othello, it is too late and Cordelia has already been killed.