Lust Caution by Eileen Chang Essay

In the refreshed Lust, Caution by Eileen Chang, there are debates of the reason why Wang Jiazhi do the decision to warn Yi and to let him go, which is non only a high treason to her mission only if also a suicidal action which eventually led to her death. This action of hers involves multiple mental origins from Wangs childhood entrepot and family structure through out her experience of being a scholarly person with her peers to her subtle relationship with Yi during her spying mission. Such experiences digited significant psychological defenses within her according to the psychoanalysis of Freud.The celluloid Lust, Caution provides a a good deal fuller explanation and details about what the author of book did not offer thoroughly, which is the family background of Wang Jiazhi. There is a scene in the movie that Wang is sitting in a shabby room and trying to take her word for the wedding greetings to her father who moved oversea years ago with her little companion when she was a child. The experience of her fathers leave at her young get on leads to her fear of abandonment after she grows up, the untouchable legal opinion that her friends and loved ones cannot be trusted.The fact that her father brought her little brother with him but left her at home creates a further belief that she is less worthy than other people and, therefore, does not deserve attention, love, or any other life-times rewards, which is called low self-esteem in the psychoanalysis. Her fear of abandonment and low self-esteem add together and form her most essential mental defense fear of intimacy, the chronic and crush feeling that emotional closeness will seriously hurt or destroy her and that she can remain emotionally safe only rest at an emotional distance from others at all times. These mental defenses of Wang come in in different areas in her personal and social life, and largely dissemble Wang in her processes of decision making.In Wangs social life, the main recess of the cause of her solitude does not come from her peers but rather from her mischief to herself and hatred of her get life and identity. Within a patriotism schoolchild division, the members of the division are supposed to have an extremely strong and mean(a) emotional attach. However, as the key factor of this operation, Wang and her view of her peers and coworkers are strangely biased and distanced. When she thinksabout them, she sees the detestable eyes and meaningful smile come out on her friends face. Her belief of how her friends in fact hate her and laugh at her at behind reflects on the definition of fear of abandonment in the theory of the psychoanalysis.During her spying mission, Wangs interaction with Yi, a married get around man in his forties or fifties according the explanation in the novel, revealed another(prenominal) psychological defense of Wang oedipal fixation, a dysfunctional bond with a parent of the opposite sex that she does not outgrow in ad ulthood and that does not allow her to develop mature relationship with her peers. disrespect the fact that Wangs relationship with Yi is based on a conspiracy, Wang has for sure developed some kind of emotion that is beyond her position as a spy toward her role and her stern, Mr. Yi. Although the fact that Yi is in his forties or fifties may impair his charm in many ways, for Wang the age of Yi provides her a sense of fatherhood, which has been absent from her life since she was a young girl. Also, having a love affair with a married man gives her the feeling of competing with another woman, which reflects her being influenced by her fathers marriage.Being chosen to coquet the role of the mistress of Yi, Wang Jiazhi not only is an extremely skilled actress, but also has putted her full passion and dedication into her tone even beyond the expectation of her job. Such a strong emotional attachment to her target and her life as Wang, the character, contributed largely to her exce llence at the job notwithstanding at the same time, made it very hard for her to distinguish her profess life as a spy and the life as Wang Jiazhi, who lives a luxury life and has no relation with the life of her own, the life change with confusion, self doubt, and fear of betrayal. Wangs small actions unconsciously depict a strong sense of hatred to her own life. She hates her family, her friends, and most importantly, herself. Her life is soft-witted except when she is with Yi, she finds the meaning and purpose of living.Wang feels truly alive only when she is playing as someone else, someone who could be anyone but herself. Therefore, Wang becomes so wedded to her character that has forgotten that the original intention of this mission is to end it. When she is in the jewelry store with Yi, she realizes that this is her final plot of beingWang Jiazhi. However, she can liquid control her ending pose. Wang chooses to warn Yi and to release him. As the result of her decision, she dies, and the Wang Jiazhi the character leaves the stage, but the play continues without Wang Jiazhi. In this way she does not have to dedicate to her own life which she thinks is not worth of living. She, as an actress, has devoted her life for acting and has chosen to end her life as Wang Jiazhi for her stage and her own masterpiece. Her death has no direct relation with her affection to Yi. She has lived in her guile and she died for her acting.