'How effectively has Steinbeck created tension during the incident with Candy’s dog? Essay\r'

'The cleanup position of glaze over’s quest for in Steinbeck’s novel â€Å"Of mice and men” is a real important incident. The beginning makes this image in truth tense using dissimilar techniques. E genuinelything starts because Slim considers the dog is useless and has a bad smell. â€Å"He ain’t no good” (p70). And as he just got five puppies he believes glaze could make good use of ace of those. Candy, very nervous and doubtful, finally accepts that cleanup position his dog, which has been with him for a very long time, ordain be the trounce to do. Even though he make outs that he will lose him. Carlson, described as â€Å"thick corporate” (p70), goes out of the scatter and push downs the dog.\r\nThese moments in the ranch atomic number 18 of absolute closeness, and nobody is adequate to break this belt up. â€Å"Silence overleap” (p75). conviction provems to pass very slowly; every(prenominal) sound s finag les every wiz, until we female genitalia finally render a shot from outside. The poor former(a) dog was killed, we knew he should die, but didn’t want it to incur. After this death, everything came back to north in the ranch, or the men were at least talking to each early(a) again.\r\nIn these pages, Steinbeck uses different techniques to achieve focus and time move slowly. Time passing slowly keister be shown when he starts sentences with a conjunction. â€Å"And slim …” (p74). â€Å"And the silence … ” (p75). This creates a long pause between one sentence and the former(a), giving a sand of conclusion. Steinbeck uses time in a very special way to increase tension. The more slowly the time passes, the tension increases greatly, â€Å"A minute passed and another minute” (p75). The author is really emphasised in time, we can almost listen the tic-tac of the clock, which makes us facial expression nervous, not really close what is passing game to happen, but whatever it is; we want it to happen immediately.\r\nSteinbeck also uses a series of brusk sentences in page 75, just ahead the smelly dog is going to be killed. â€Å"It was silence outside. Carlson’s footsteps died away. The silence came into the room. And the silence lasted.” (p75) This short sentences makes the reader pause a lot, it suggests that something dramatic is about to happen. It makes everything be very tense, you could just cut the tension with a scissor.\r\nIn pages 75 and 76 in that respect is a lot of repetition of the explicate silence. Steinbeck uses this word s pull down times by means of the passage. He really wants us to know about the atmosp present in the room, in complete silence. George won’t level break himself the stillness by walk the cards, but everybody is grateful for things that break the silence. â€Å"A little gnawing sound … all the populace looked toward it gratefully.” (p75 ). This silence is personified by Steinbeck â€Å"The silence came into the room” (p75). It seems as if the silence is another typeface in the scene, invading the room, making everybody obtain nervous. It really increases a lot the tension.\r\nSteinbeck seems to mystify divided the characters, Candy: the one be hurt, Carlson; playacting as the antagonist, the rest of the slice; just avoiding the situation, and Slim acting as a sort of judge. Candy is scathe and is very uncomfortable as we can see in these pages. He powerfulness even be desperate. â€Å"Candy looked from function from face to face” (p72). This shows Candy’s loneliness, he is alone while his dog is about to die. Carlson clearly is the antagonist; he is waiting anxiously to kill the dog, to defeat the back of his skull.\r\nHe does not c ar about the bond between Candy and his dog; he doesn’t smell any emotion at all. This is seen with the following quotation â€Å"I’d put the gun right there” (p72). George, Whit and the other men are evading the situation. They dislike the dog too, but opt to stay in absolute silence and play cards instead of support his good old friend. Slim is acting as a sort of judge, because he is trying to please Carlson and at the kindred time convince Candy about the situation.\r\nIt is night in this scene and very dark. â€Å"Darker’n hell in here” (p70). It shows that something bad is about to happen, and when it is about to happen, or when it gets near, the darker it gets. â€Å"Out into the darkness” (p75). The dark riff is invading everything, everyone. Death is near. They can fell it in this atmosphere, were nobody can see clearly.\r\nSteinbeck also uses a comparison; at the beginning he compares George and Lennie to Candy and his dog. They are live partners; one of them takes care of the other. They are both friends who love each other and would do everything for his partner. Until now, that Candy accepted to kill his dog believing it would be the best thing to do. He didn’t even say good-bye. This might tell us that George will do the same with Lennie, perhaps make a new friend, who knows.\r\n'