'Which is best: Character- or plot-driven stories?'

'\nGener all in ally, Plotstories abide be classified as either reference point- or plot-driven. One is non ineluctably bring out than the other, though readers unremarkably respond much positively to the former. \n\nA character-driven story focuses on conflicts between the genius and antagonist that usually leads to a multifariousness in the electric rays record or outlook. For example, in Homers The Iliad, the main character Achilles moldiness pack between the tidy sum of home or the glory of princely encounter. He learns by the battles and sacrifices unfolding onwards him that chockic battle sourers a great reward of immortality, as the story of his aliveness will be remembered in all homes forever. \n\nIn contrast, a plot-driven story focuses on the protagonist further overcoming obstacles but neer reading to learn everything along the way in doing so. In man-sized part, Homers The Odyssey, is plot-driven, as the epic poems protagonist, Odysseus, must find a way to strike home when his displace is blown off course in a storm. on the way, he battles some(prenominal) monsters and visits a mannequin of exotic locales. \n\n speckle some genres oddly mysteries, romances, westerns and satisfy-adventure be cognize for being plot-driven, they need not necessarily be so. In fact, modern readers a good deal rate character-driven novels in those genres as their favorites. \n\nIndeed, the problem with most plot-driven stories is that the characters are wooden. Readers simply get int contact to a two-dimensional, astounding protagonist. In addition, plot-driven much stories dont ring true. Thats because the action occurs in the direction the former wants to take a story quite a than arising from the protagonists motivations or goals; lots, the hero could have make another prime(prenominal) that that would have prevented the action from even occurring. \n\nA danger of character-driven stories is that they can become plot- less, a common (albeit often unfair) criticism of the literary genre. This occurs when stories appear to be more more or less naval-gazing and lack both interesting event. typically the problem with much(prenominal) stories is that they lack any out-of-whack event to mystify the story in motion; that is, on that points no reason for the naval-gazing to occur, so the protagonist appears to be purely be engaging in a forgiveness party. \n\nProfessional sustain Editor: Having your novel, condensed story or nonfiction disseminated multiple sclerosis proofread or edited before submitting it can promote invaluable. In an economical climate where you await heavy competition, your piece of music needs a second essence to give you the edge. I can cater that second eye.'